What is the Procedure When It Comes to the Registration of Imported Software in China?

(By Wang Ting and You Yunting) Today we will discuss the legal restrictions and application procedures in regard to the introduction of foreign software into China.

  1. Copyright Protection of Imported Software

The Protection of Computer Software Regulations dividends the protection of imported foreign software into two types:

  • Software first distributed within the territory of China shall have copyright;
  • Software concluded with China by the countries to which the creators belong or in which the creators reside habitually or under the international conventions to which China is a member state shall enjoy its copyright.

China has concluded the Berne Convention for the Protection of Literary and Artistic Works with more than a hundred countries in the world. Taking that into consideration, under most circumstances if the requirements above can be met, the creator of the introduced software can cite the convention to gain copyright protection which is equal to Chinese citizens.

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How Mobile Game Protects its Intellectual Property Right?

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(By You Yunting) Recently stock markets have heightened topics about mobile game and serious competition disputes of intellectual property rights (the “IPR”) between China mobile games enterprises are often appeared in the newspapers. According to the reports, Beijing Chukong Inc., the developer of popular “捕鱼达人”(Fishing Joy) mobile games, was engaged in a controversy of IRP because earlier in December the Guangzhou-based SEALY Technology suspected Beijing Chukong Inc.’s “捕鱼达人”(Fishing Joy) of plagiarism on its arcade game product “捕鱼达人”. In response, Beijing Chukong Inc. alleged that: first, the online time of its “捕鱼达人”(Fishing Joy) was earlier than that of SEALY Technology and its mobile game had been reported to the Ministry of Culture. Second, Beijing Chukong Inc. owns the “捕鱼达人”trademark. Third, there are significant differences in art images and playing methods between two products.

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Why China Court Believe Google Books’ Scanning of Books Constitute Copyright Infringement?

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(By Luo Yanjie)Abstract: The fair use system in China adopts a legislative model of “exhaustive listing”, and many judicial breakthroughs in recent cases appear to be more in conformity with principles of fairness and impartiality. Copyright Infringement against the right of reproduction shall be prohibited. However, an interesting question is whether the infringing party assumes liability for damages in cases where the copyright owner doesn’t actually suffer any losses.

Google Books has triggered global protest and litigation from publishers worldwide. The following is an introduction to a case that developed in China.

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Is School Teaching a Method of Publicizing Work in China?

(By Luo Yanjie) According to the Copyright Law, the copyright holder has more than ten exclusive rights. The copyright holder is often unclear about the differences between the exclusive rights and may have a very vague understanding of the fair use system, a system which can cut against the copyright. Although the case introduced in this essay is fundamentally not a rights protection case, the judgement clarifies the methods used for publication and expands the scope of the fair use copyright exception. The following is a summary and analysis of the case:

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How to Divide the Burden of Proof in Software Infringement Cases in China?

(By Luo Yanjie) Abstract: In software infringement lawsuits, the plaintiff shall demonstrate itself as the rights holder of the software involved and the “substantial similarity” of the defendant’s software with its own. On the opposite side of the coin, once a defendant counters by claiming that no infringements have been made, it shall present relevant evidence; otherwise, it shall bear any disadvantages resulting from the failure to present proof of a lack of infringement. As for the case described in this essay, although it involves open source software, no definitive solution has yet been made to solve this particular legal program, to our disappointment.

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Is School Teaching a Method of Publicizing Work in China?

(By Luo Yanjie) According to the Copyright Law, the copyright holder has more than ten exclusive rights. Because of the many kinds of works and complexity of society’s use of the work, the copyright holder is often unclear about the differences between the exclusive rights and may have a very vague understanding of the fair use system, a system which can cut against the copyright. Although the case introduced in this essay is fundamentally not a rights protection case, the judgment clarifies the methods used for publication and expands the scope of the fair use copyright exception. The following is a summary and analysis of the case:

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Why did the US Rule that iPhone Jailbreaking is Legal, but iPad Jailbreaking is Illegal?

Record III of Day Four of Our Visit to the United States

(By You Yunting) At the end of this past March, on the invitation of the US government, the author visited America with other Chinese legal experts with the goal of better understanding its IPR system. On the fourth day of the journey, the author visited the Copyright Office of the US Library of Congress (the “US Copyright Office”). The following is the brief record of the visit on that day.

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How does the U.S. Government Guide Companies Registering IPR in China?

(By You Yunting) This March, at the invitation of the U.S. government, Mr. You Yunting, the founder of Bridge IP Commentary began his journey to the United States. The main purpose of this visit was to better understand the system of intellectual property rights in the United States. Mr. You would like to share with our readers his experiences there in several posts here on our website. Of course, the content of the posts may not be truly comprehensive or strictly accurate; that being said, if you find any mistakes or comments that can be corrected or improved upon, please let us know. We encourage more dialogue with the IPR community and welcome all constructive commentary. The following is the first post in a series of Mr. You’s visit to the United States: 

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Analysis on Proof Requirements in Figurative Trademark Infringing Others’ Copyright Cases by China Court

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— A trademark certificate cannot be taken as evidence of copyright ownership

(By Luo Yanjie) On June 27th 2002, Hua Yuan Company (hereinafter “Hua Yuan”) filed an application to revoke the disputed trademark “老人城LAORENCHENG” (hereinafter Lao Ren Cheng) pursuant to on Article 31 of the Trademark Law, with the claim that the trademark infringed upon Hua Yuan’s first rights in the mark. The disputed trademark was applied in Class 25 with registration number 1497462. During prosecution of the trademark, Hua Yuan submitted certificate of the No. 590673 trademark and No. 696935 trademark as evidence of its first rights in the mark. As indicated by the documents, the trademarks were registered before the trademark “Lao Ren Cheng.” Considering the opposition was mainly filed on the ground that Hua Yuan’s first rights had been infringed rather than due to similarity of the trademarks, the focus of this particular case depends on whether a trademark certificate may be treated as evidence of trademark ownership.

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How to Judge the Copyright Holder of Musical Works

 (By Luo Yanjie) Previously, we introduced how to determine the copyright holder of cinematographic works, and today we would like to continue by introducing how to determine copyright ownership of musical works. Similar to cinematographic works, we have confronted situations in infringement cases in which it is difficult to determine the copyright holder of musical work. For example, in one case the copyright conducted in mainland China was licensed by an overseas rights holder, but the name in the signed and issued license was different from what was written on the original CD. Although the issue might have come from a mistake in the translation, it still created a real obstacle for the rights holder. Now, let’s take a look on the way to determine the copyright holder of musical work in China.

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How to Judge the Copyright Holder of Cinematographic Work in China?

(By Luo Yanjie) In a previous infringement case against cinematographic we handled, the plaintiff submitted several articles of evidence to the court, which showed that the work belonged to different copyright holders: according to a certificate issued by the Hong Kong Copyright Center, it was Copyrighter A’s property while the subtitle authorship rights belonged to Copyrighter B. And yet, as demonstrated by a license agreement, C shall be the exclusive holder of the copyright. That made the plaintiff argue for his ownership of the copyright. In fact, due to the complexity in determining copyright ownership, contradictory disputes like the one described above are quite common in actual practice. In today’s post we will share our understanding of the issue.

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Key Points to Foreign Company’s IPR Litigation Preparation in China

By Luo Yanjie

With the development of economy, China pays more and more attention to the protection of intellectual property. But whether the patent, trademark or copyright, a lot of high value intellectual property rights belong to foreign companies. Facing the still serious infringing situation, the civil lawsuit is still the most common and reliable means to strike infringement. As for foreign investors, what deserves the attention when preparing lawsuit materials? Today we would like to share the topic with readers as follows:

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Legal Commentary on the case of Founder VS P&G and Chinese Character, II

—Analysis on the law Nature of the Works of Word Stock

Today’s essay follows “Legal Commentary on the case of Founder VS P&G and Chinese Character, I”

(2) The Founder Word Stock is the composite works

The Stock here refers to the Founder Word Stock composing all the individual words in it rather than the stock software. The new works come from the selection or arrangement of the existing works is called the composite works. In our opinion, it’s necessary for Founder to apply the copyright registration for the whole Stock since only focusing on the determination of the copyrighted works over the Stock Software or the individual words is not enough. And such registration could benefit the protection over the Stock against any other infringement, such as to print a book or magazine in the script in the Stock with no license.

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Legal Commentary on the copyright infringement case of Founder Electronics VS P&G, I

—Analysis on the law Nature of the Works of Chinese Character Word Stock

Highlight: Today and tomorrow, Bridge IP Law Commentary will introduce and analyze you the case of script copyright conflict between Founder and P&G, and also the system of word stock works behind the case. And the following is the first half—the introduction on the case and the part analysis on the nature of the works of word stock.

On the morning of 5th July, 2011, the appeal of the Founder Electronics (HKEX:0418, 0618) was rejected by the No.1 Intermediate People’s Court of Beijing in its case of the script copyright conflict against P&G (NYSE: PG), and the decision of the first hearing was supported. The final judgment maintains an ambiguous attitude towards the determination of “飘柔”, the localized name of the Rejoice brand of P&G , to be a fine art works, neither to support it or opposite it.

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