Tag Archives: KUSO

Parody on Copyrighted Works Could Be Infringement? II

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the poster of the parodic World of Warcraft

By Albert Chen

II. Is it necessary infringing of parody?

Just like analyzed above, the “transformative use” may be the re-creation basing on the ideas, and also could be the re-creation relying on the “expression”. Therefore, the infringement of parody could not be determined in general and should be considered in situations.

1. The parody with transformative use of idea

The basic principle of Copyright Law is to protect the expression while such protection will not extend to the idea which is not detailed by the expression. Surely, there has regulated no specific standard or border between the abstract of idea and the concrete of expression, and that makes the judgment depend on the case analysis.

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Parody on Copyrighted Works Could Be Infringement? I

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the parodic portrait of ancient Chinese poet DU FU

By Albert Chen

On 7th June, 2012, the committee affiliated to Agencies for Cultural Affairs deliberated on the issues that could the derivative works and parody constitute the infringement to copyright (note: the link is in Chinese). And that marks the Japanese government facing up to the common problems KUSO in the country.

As a country with well-developed culture industry, Japan sees a large number of original cultural creations within the nation every year, including the cartoons, movies, games, etc. On the other hand, the derivatives of the existing works are also common in the country with the parody included. The trend of parody in Japan also influences the literature works of China, and thereby we see Lin Daiyu, the character in the noted A Dream in the Red Mansion, becomes a courtesan, the Monkey King begins to date with his master, and the generals in the Romance of Three Kingdoms have all been coquettes.

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